When you are a director of either film or theatre, or any other type of live or filmed performance art form, the ultimate excitement is to be able to do your project with a truly excellent group of professionals. Professionals who are dedicated to their craft and actually know what they’re doing. That was my experience recently when I shot the short film Divorce During Pandemic, a short film script that I had written based on real events and I had the opportunity to turn into an actually short film.
Of all the types of directing that exist in the performing arts, directing film is the ultimate experience for a director. In any other form of live performance as much as the director wants to control the final product they cannot, because it’s live and the final product will change every single performance. Live performance is up to the live performers not to the person who conceived it or directed it or produced it. Yet with film, the director gets to choose how to tell the story because they control the edit of how the film will look. Now of course they had to get the correct shots and coverage in order to be able to tell that story but once you have that you can tell a story out of sequence, or you can change the narrative of who the story is about, or really the possibilities are limitless given the imagination of the director and the amount of footage that they shot.
Divorce During Pandemic is exactly that. It’s a true-life story of what happened when a married couple that is breaking up exchanges divorce documents during the early weeks of the pandemic. That could be sad, but the situation could be surreal as well, because the couple is wearing masks and gloves and practicing social distance. The film could be funny or a comment on not only the breakup of the marriage but the distance that’s created between a couple when they’re forced to wear mask and gloves to deal with each other. So in the editing room I was presented with the opportunity to either make a dark comedy or a sad tale of two people struggling to move on with their lives. I’m not going to tell you which choice was made you’ll just have to wait to see the film. Yet the opportunity to work with skilled professionals – a director of photography, a sound mixer, a camera assistant, a grip, a production manager and first assistant director who were top notch and a team of producers who gave me everything that I needed to shoot my movie under budget was amazing. Who could ask for more!?
Yet we had the added element of shooting during a world changing virus, so we had to be concerned for the safety of the cast and crew who were truly heroic in shooting this short. My producers provided us with all the PPE that we needed and tried to keep following social distancing, but shooting a film is so all encompassing when you are doing it that it is hard to always remember to stand 6 feet apart. Yet, we managed and all are safe and well, and the film looks great.
So the film is currently in post-production as we do color correction, fix the sound, and work on the opening title and closing credits. Hopefully, the film will be on the festival circuit in the next few weeks and we’ll be talking about it more here at TripswithJames.com. I would like to take the opportunity to thank my cast and crew for the outstanding work that they did that day, and to thank them for the amazing ultimate experience of directing – shooting a film with professionals on a script that you have written and watching it all come to life beautifully ! What more could have film artists ask for? My answer – absolutely nothing!
More to come on Divorce During Pandemic in the coming weeks!
Special thanks to Corbin Timbrook, Shelby Janes, David J. Philllips, Laura Walker, Fernando Madero, Garrett Stone, Reece Miller, Genaro Magana, Kirk Bruner, Attic Studios.
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