Fringe festivals are very interesting events. Some are by invitation, some you just pay a fee and come do your thing. Some are small and some are huge in terms of numbers of shows and people coming to see them. Some feature local artists and some draw on international artists. No one (well very few) make any real money but the festivals continue to spring up around the world because someone has a passion for presenting weird theatre experiences and hopefully they can find an audience that will support that desire.
Portland, or PortFringe as it is called, is a small festival (31 artists), by invitation (names are drawn out of a hat), and this year mostly featured local artists. There was a wide spectrum of material from storytelling to magic to Shakespeare to dance to physical theatre. There were 3 artists from the West Coast and a bunch from along the East Coast, and about 50% local artists. And when you come to a festival the politics of fringe begin to take effect.
You have to hustle up an audience in order to play before people and get the name of your show out. You go to other shows and support other artists so that they will come see your show. You go to events where you talk to other artists and you exchange post cards and ‘excitedly’ talk about your shows. Anything to get the word out so you don’t end up performing for no one. Hustle, schmooze, sell, support and repeat! And if done correctly, you get a decent audience, other artists begin to talk about your show, you support them, and really work to see shows and be seen. This results in awards from the festival (audience awards, critic awards, best this and that award, etc.) that you use for PR in advancing and advertising your next fringe festival performances.
(I won a PortFringe 2018 Critics Choice Award – that is pretty cool!!!)
I chose Portland for a few reasons. I need to get back onstage, the fees were some of the cheapest, it was small with a good chance I could get in, they found housing for the artists, and I had never been there. When I got selected – I was surprised. Not because my show is not good, but I had only applied for 3 festivals and to get into any of them is by chance.
So I pulled my show out of mothballs (been over a year since I last did it in San Diego), rehearsed it, got my ad materials together, bought my ticket and waited for the dates to arrive. I was giving the name of a couple that would host me and my partner, and we planned of seeing all the shows that we could. Our goal was to get one of those awards – either critic or audience – whether it was based on actual quality of the performance or just that we had supported everyone else and played the game correctly.
PortFringe just never told us how effing beautiful the city of Portland was! It was gorgeous! The small city, the bay, the islands in the bay, the parks, the old houses and working class neighborhoods, the water front, the lobster boats and always the light and sky. Summer in Portland must be heaven.
Our plans to see all the shows went out the window because we were so busy seeing the Portland area. Our hosts were always telling us about some new place or adventure we should take. The city is so walk able – so the parks – West Prom and East Prom got done. The Mailboat cruise to 5 of the closest islands, a boat journey through Casco Bay with my host to see his new boat in dry dock up on Long Island, a cruise and hike around Peak’s Island with a lovely dinner by the water, the amazing food available in Portland, and the exciting and vibrant history of the town and its port right in front of your eyes. So instead of fitting in scenery around the plays, we were now fitting shows in around our journeys through Portland.
We got some very nice reviews and a standing ovation at one show, plus a Critics Choice Award. Yet, we mostly got a truly wonderful feeling of Portland and the surrounding area. The people, the places, the bay and the history all made for a wonderful experience. Plus we did see some really good theatre from our fellow artists.
Most memorable for me were three shows: First, Breakneck Julius Caesar was fun. Filled with humor, background, effects and history, Tim Mooney runs through Shakespeare’s political tragedy playing all the parts and uses the audience to help him along. His acting is spot on especially his juxtaposition of Brutus’ speech to the Roman citizens at Caesar’s funeral against Marc Antony’s speech to the same group. You truly see the contrast between the two characters – an arrogant flawed nobility of Brutus against the cunning and ambition of an intelligent Marc Antony. Very good! Tim does 200 shows a year around the country so look out for him. Whether you understand Shakespeare or not – he will make it worth the ride.
Second, was the sci-fi story, The Sibyl of Mars by my friend, L. Nicole Cabe. I have seen 3 of Nicole’s shows and what always impresses me is the depth that her scripts go to create the world that she is trying to bring us into. They are always about the end of civilization as we know it. Some dystopian future where everything is breaking down and she leads us into these dark, multi-layered worlds using words, symbols, and images to create this fantastic fantasy. The Sibyl is a seer from Mars, who has come to Earth to find ancient records of Mar’s original mission. Using tarot cards that the audience pulls for her, she pieces together scattered records, learning why her home world’s ecosystem is collapsing. Interesting, interactive and thought-provoking.
Third, I saw a piece by a local artist, Chris DeFilipp. Using the device of a Dungeon and Dragons game, he examines his disturbing childhood filled with abuse and emotional upheaval and survival. Dark, very personal but touching.
I saw some other shows and heard about others that we missed, but these three stood out to me plus Walking While Black Through Moscow which I reviewed in my last column.
Thank you PortFringe for a wonderful festival that I did not support as much as I should have because our city is so damn nice. I feel guilty, but not much. Thank you for the wonderful hosts – Laurie and Ross – and their generous hospitality. And thank you for some great parties at Local 188, Matthews, and Fringe Central.
Next Bar Harbor and Acadia National Park!
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