Tag: Culver Hotel

Sources used for some parts of this story are – Wikipedia, Hollywood Babylon, LA Weekly, Daily Mail, Scott Simon, The Guardian.

After opening in 1924, the Culver Hotel soon gained a reputation as an excellent hotel for visitors to the Culver City area and MGM Studios. In 1939, it would gain an even more notoriety for housing all 125 of the “little people” who played the Munchkins in The Wizard of Oz.

The Wizard of Oz was then the last word in 1939 special effects, make-up, set design and costumes, not to mention the highpoint of Judy Garland’s career. The 17-year-old child star plays the little Kansas girl Dorothy, who with her dog, Toto, is whisked away by a tornado to a fantasy land where she follows the Yellow Brick Road, kills the Wicked Witch and meets the powerful Wizard. And every step of the way, she is followed by “the Munchkins” as she goes on her adventures over the rainbow, meeting the Tin Man, the Scarecrow and the Cowardly Lion in the Kingdom of OZ.

The film called for as many as 350 “Munchkins” to be cast. In L. Frank Baum’s 1900 novel The Wonderful Wizard Of Oz, he described the Munchkins only as shorter than usual in stature and clad from top to toe in blue.  The studio did not want to use children for the parts, and could not find enough small adults in the Hollywood area.  MGM decided to use real dwarves, or “little people” as they were called in the 30’s to play the Munchkins. In fact, all the Munchkins were played by genuine circus midgets, whose colorful contribution to Hollywood history has never been forgotten. In its search, MGM advertised all over the country, auditioned tiny choirs – the midgets had to sing – visited circuses and sent out talent scouts.

The task of assembling as many as 350 ‘little people’ to act in the movie fell to a man named Leo Singer. Born in Germany as Baron Leopold Van Singer, he had put together a troupe of touring midgets who took part in vaudeville shows all over Europe. By 1938, he had gathered a stable of 100 tiny performers and was based in America. MGM drew up a contract with him to provide as many midgets as were needed to film. As soon as word got out, seemingly every little person in the country arrived in Hollywood by bus and train looking for a part. Singer was put in charge of them all – looking after their lodging, food and attendance on set.

Of course, managing the midgets was never easy. Many did not speak English and sang in thick German accents. Some of those who knew most about performing were from Germany, but had been forced to flee the country by the Nazis’ doctrine of ‘social hygiene’, which demanded the elimination of handicapped people. About 170 came from New York and had very little professional experience of show business. Some had never been away from home before and were keener to let their hair down than work. Their only qualification was their height – in some cases they stood no taller than three feet.

These little actors might have been vertically challenged, but they were exceedingly tough. Most were old enough to have learned how to survive in New York or in Europe during the years of the Great Depression. And when they arrived in Hollywood in 1938, to be cast in one of the most prestigious films ever, it marked a distinct improvement in their fortunes.

Los Angeles was in the midst of its gilded heyday. Stars such as Jean Harlow and Katharine Hepburn had a huge following, while the love lives of the swashbuckling Errol Flynn and Charlie Chaplin were already legendary. This was the height of Hollywood as Babylon. Sex and glamour was the name of the game and the “little people” wanted their fair share. Naturally, as soon as they had money in their pockets, their behavior did not improve.

For although their antics on screen brought joy to generations of children, behind the scenes they astounded everyone with shocking episodes of drunkenness, depravity and wild sexual propositions from which no one was safe. Wild stories began to emerge. There were rumors of wild evenings with rooms ransacked and drunken midgets swinging from the rafters. One horrified observer described them as “an unholy assembly of pimps, hookers and gamblers”.

A rather unimaginative 1981 movie, Under the Rainbow, starring Chevy Chase and Carrie Fisher, attempted to bring the legend to life — and failed. That hasn’t stopped Wizard of Oz fans from smiling at the thought of a hotel overrun with members of the Lollipop Guild. (LA Weekly)

“You had to watch them all the time,” observed Jack Dawn, the make-up artist on the film. Because they were so small, it was easy for other members of the cast to make the mistake of treating them like children. Predictably, their reaction was to do everything they could to disabuse their colleagues of this notion.

“They were adults,” recalled Jack Dawn firmly. “They did not like us touching them or lifting them into their make-up chairs. They insisted on climbing up by themselves.” If the film-makers thought full-sized stars had attitude, they had seen nothing yet.

The final count of people needed for Munchkin parts settled at about 125. Singer made a deal with the Culver Hotel to house the “little people”. They began to arrive in November of 1938. The hotel found that they could place three to a bed because they were so small. They could put them sideways and almost get them all here.

It turned out to be one of the biggest collections of little people to date at that point. Julie Lugo Cerra, who’s the honorary historian of Culver City, recalls, “Many of them, like Jerry Maren, who eventually settled in Los Angeles, who was a Lollipop Kid, had never seen another little person in his life before. They came to Culver City, and they thought it was wonderful to see so many other little people. Most of them had lived in areas where they were the only ones, so they were the exception. They were not very well accepted by society, and so it was wonderful to be with their own.”

Certainly, the normal urges of many of the assembled midgets emerged during the shooting of The Wizard Of Oz. We have to remember these were adult men and women, and they became bored after hours cooped up in their hotel. So often, they drowned their sorrows.

“They were drunks,” Judy Garland would recall later. “They got smashed every night, and the police used to scoop them up in butterfly nets.”

Cast members were astounded to hear they were holding ‘dwarf sex parties’ in the famous Culver Hotel. “They got into sex orgies at the hotel and we had to have police on every floor,” producer Mervyn Le Roy remembered afterwards.

Meanwhile, Bert Lahr, who played the Cowardly Lion, noted that “assistants were ordered to watch the midgets who brandished knives and conceived passions for normal-sized members of the cast”.

There were stories that the “little” women would proposition studio electricians, while one who called himself The Count was never sober. “Once, when he was due on set, he went missing. Then we heard a whining sound coming from the men’s room. He had got plastered during lunch, fallen in the toilet bowl and could not get out.”

Certainly, some of them seem to have resorted to boosting their earnings by pimping and whoring – and indeed begging. As many pointed out later, they were being paid far less than anyone else on the film – including Toto the dog. Many of them had vile tempers, too, so much so that one even tried to kill his wife.

Yet, Julie Lugo Cerra is not so sure that the rock star/Roman orgy scene is the true image. “No, I don’t think they trashed the hotel rooms. They were having a very good time and they celebrated a lot. They worked very hard,” she maintains.

She recalled one story about her father who owned a radio store at the time in Culver City. “He said they were all over the place. And they would pile them into cars, and they would be even under the dashboards because you could get so many in. So it – I’m sure it was a hysterical scene, I’m sure that they had a very good time, and I’m sure that most of them remembered it for the rest of their lives.”

“They got their star in the Hollywood Walk of Fame recently. And they love coming back to Culver City,” points out Ms. Lugo Cerra. “They were here in the ’90s for a reunion – they do this every once in a while. And there’s probably nobody who doesn’t know about the Munchkins, and there’s probably no one who doesn’t love them.”