This is an odd combination with no apparent connection except one definitely needs the other, and both are simply just Icelandic.
Tiny Horses
The Icelandic horse is a very rare breed found no where else on the Earth. They are not native to Iceland. They are very small, most the size of a pony in other breeds. They were brought with the first Norse settlers between the 9th and 10th century, and have blood lines that are traced by DNA all the way back to Mongolian horses. The Mongolian bloodline can be traced to Swedish traders who brought that horse back to Scandinavia in earlier centuries. The imported Mongol horse bloodlines have contributed to the Fjord, Shetland and Connemara breeds, all of which have been found to be genetically linked to the Icelandic horse.
The bloodlines in Iceland have been kept pure for over 1000 years. Natural selection possibly played a major role in the development of the breed, as large numbers of other imported breeds through the centuries died from lack of food and exposure to the harsh Icelandic elements.
As a result of their isolation from other horses, disease in the breed within Iceland is mostly unknown. The low prevalence of disease in Iceland is maintained by laws preventing horses exported from the country being returned, and by requiring that all equine equipment taken into the country be either new and unused or fully disinfected. Plus no other horse breeds can be imported into Iceland thus keeping the Icelandic breed free of outside diseases that they have no immunity too.
The Icelandic Penis Museum
Located right in the heart of Reykjavik, is the only known museum of its kind in the world. And to use a catch phrase of the museum’s marketing department “Seeing is believing”.
The Icelandic Phallological Museum possesses a unique collection of penis samples from every type of mammal found in the country. The collection contains more than 200 penises belonging to all the land and sea mammals that can be found in and around Iceland including over 60 specimens belonging to 17 different types of whales. There are penises from a polar bear, seals, walrus and the most interesting ones belonging to 3 Homo Sapiens.
The museum proudly displays these three legally-certified gifts from humans to the museum including one that was named by its former owner as “Elmo”.
In addition to the biological elements, the museum also has a collection of over 300 artistic oddities and other practical utensils related to the chosen theme of the museum.
The museum is very popular for the very reason that you are reading this – it is odd and unusual. While the main thrust (pardon the pun) is a real scientific one, the museum certainly plays to the public perception of a building full of human penises and the images that brings to mind. It is fun, odd. weird, and certainly worth about an hour of your time because you will never see anything like it anywhere else. The museum is open every day of the week. The address is:
The Icelandic Phallological Museum, Laugavegi 116, 105 Reykjavik.
Phone number: +354-561-6663
Web address: phallus@phallus.is, www.phallus.is.
Entry fee is 1500 ISK which breaks down to about 15 US dollars. Children under 13 are free, and 13 to 18 are half price.
(This is part of an ongoing series of stories about the first visit I ever had to Zimbabwe or Africa in general. All the stories are true and based on my own experiences. They are also part of my one-man theatre production, Coming to Zimbabwe which was published in Germany, and has toured the USA and parts of Africa.)
After my day in Imire Game Preserve, this was the first day of my new job. (You can find the story Imire Safari Ranch – Zimbabwe 2012 in the monthly section menu) I woke up the next morning and met Gavin. We loaded into his incredible small car and we headed out toward the small city of Gweru located in the Midlands section of Zimbabwe. This drive should have taken about 3 hours but the engine was so small and tired in Gavin’s car, we were in for a 5 hour ride.
We headed out of Harare on the A5 Highway or Gweru-Harare Road. This was really the first time that I was going to see the real countryside of Zimbabwe. Of course on my journey to Imire, I had seen country. But that was in such a rush and I was so on edge from Kathy’s driving, that I did not pay much attention to the scenery.
Now because the slow nature of our drive through the mountains toward Gweru, I could very much see the lovely country, yet I could also see that field after field and farm after farm nothing was growing. There were no crops in the fields that I passed on this major road through the heartland of Zimbabwe.
Whether is was the outcome of Mugabe’s land reforms or for some other reason, it was plain to see that this part of the economy was hurting. Zimbabwe during the Ian Smith years, during the civil war for independence, and even during Mugabe’s first years in power, was known as “the bread basket of Africa”. The farms were so successful and abundant and Zimbabwe grew so much food that it exported it surplus food stuffs to countries all around Africa. Now they had to import food items just to be able to eat.
As we drove south, we passed through the village of Chegutu and the small city of Kadoma. We drove through beautiful mountain areas, over rivers and across savannas where the sky seem to stretch on forever. After driving for a couple of hours, we stopped in Kwekwe to stretch our legs and get some coffee.
Kwekwe is a city of about 100,000 people located right in the center of the country. At one time, it was a very lovely little town, but it is very poor there now. Unemployment in the area is about 80% or more. The town has become very dusty and dirty, the gutters are filled with trash and there are 100’s of men standing around with no work and nothing really to do. As we pulled into the town and went around the roundabout, I was wondering where we were going to stop. We passed the beautiful but very tiny Mosque on the right as we enter Kwekwe. About 3 blocks passed that on the same side of the road, we stopped in front of this seemingly brand new building made of chrome and glass. It was like an illusion in the middle of this rundown town. The place was buzzing as people came and went from the double glass doors.
As we walked inside, Gavin told me the place was called Ripperz and that is was a fairly new place. The place seemed to be a combination of a restaurant, bakery and food market. Gavin and I walked in and went over to a coffee bar. And to be honest, I was surprised at the thought of a coffee bar in a rundown city in the middle of a 3rd world country. As I was to learn my first world impressions of Zimbabwe were going to be radically altered in the next month in this surprising and lovely country.
As I sat down at the bar, I realized that I was the only white in the place. For just a moment, I experienced a momentary disquieting feeling that I was truly alone in this country. I did not know one person in Zimbabwe or this part of Africa. Further, that I was truly a minority in this country. You can read tons of information about a place and hope you understand it on an intellectual level, but the feelings that you get on the ground in a place are what truly define your experience and attitudes. Not that I was in fear for my safety because of my race; on the contrary, everyone so far in Zim had been very friendly and helpful. Yet, at that moment, I realized how different I was from anyone in the room. I had only experienced that feeling once before while standing at a bar in a nightclub in Mazatlan, Mexico trying to get a drink, and not even the bartender would speak to me because I was the only Angelo there. Both of these moments were profound for me, and reminded me that I was “the stranger in a strange land.” That I had so much to learn about this country, her people and her culture, and that was on me to do. So many times as I have traveled in the world, I have found Americans who are visiting a place and act like it is still the United States. They forget that they are visiting a new place, yet they expect the people there to treat them like they are still in the US. As the visitor, you are the one that needs to adapt to the new place, because the new place is not going to adapt to you. And that has always been my guiding principle when traveling. As Mark Twain once said, “…traveling doesn’t lead to a new destination, but to a new way of seeing things.”
After ordering our coffee, one of the two white owners came from the back and walk over to us. He was from Canada and had settled in Kwekwe to work the farm that his family had owned there. They later had lost it to the Mugabe land reforms which consisted of the government taking legally owned land away from the professional white farmers and giving it to black citizens of the country. Many of whom did not know how to farm or did not want to work that hard or were not capable of running those large farming concerns, so the farms began to fail in record numbers and the food production bottomed out for Zimbabwe.
Now please do not take this that I disapprove of the idea of the original people of a country that had been colonized by white Europeans getting their own country back. But to remove at gun point and in several cases by death at the hands of gangs of Mugabe thugs, farmers who had worked that land for at least 3 to 4 generations, who provided jobs and about one quarter of Zim’s GNP seems wrong on any scale. Plus the farmers did not do themselves any favors when they made the mistake of thinking that Mugabe was running a democracy. They provided funding to the rural party (MDC) in government elections against Mugabe’s ZANU-PF and thus provoked Mugabe to actions against them. This whole misadventure that resulted in poor food production, lost jobs, ruined communities and families, and in many cases death could have been done better and gotten the same results without the ruin and bloodshed. Mugabe took an ax to a situation that needed delicacy and the resulting decline in food production and lost economy is proof of its failure.
We are soon joined by his partner, who was from Greece (I believe). In my play, the second owner is from Greece but to be honest I do not remember where he was from. The following conversation is what truly happened at the moment of introduction:
Gavin – (to the Greek owner) “This is James from Hollywood, CA.”
Owner – (to me) “You are from Hollywood?”
Me – “Yes, I am.”
Owner – “Do you know any famous people?”
Me – “Yes, I know some famous people.”
Owner – “Do you know Tom Cruise?”
Me – “No, I don’t know Tom Cruise.”
Owner – “You don’t know Tom Cruise?”
Me – “No I don’t. Never had the pleasure.”
Owner – “I love Tom Cruise. I have seen all of his movies. Risky Business, Top Gun, Rain Man…” (at this point the Greek owner continued to name several more Tom Cruise movies and talked about how much he liked the movies and Tom Cruise himself.)
I should also point out at during this entire time, the owner never asked why an American was sitting in his store, what I was doing or how I liked Zimbabwe. It was Tom Cruise 24/7 with this guy, or so it seemed. Gavin realized that the conversation was going south and asked for “take away” coffee for us, and it was provided. We left and had a good long laugh about Tom Cruise and the Greek owner.
Yet, two days later, as we returned toward Harare, we stopped again at Ripperz for coffee. As I walked through the front door, the Greek owner who was working the front counter greeted me with, “Hey, Tom Cruise.”
I would go through Kwekwe about 8 to 10 more times over the next 4 weeks as I traveled around with Gavin or Gary, the Irish consulate and his family as they took me around Zimbabwe to places like Great Zimbabwe, Victoria Falls, and Matopos National Park. I would often stop in Kwekwe as a mid-point for several of these journeys, and every time I would eat and shop at Ripperz. And every time I walked through the door, the Greek owner would greet me as “Hey, Tom Cruise.”
Now in my one man show, I make this part of the story a comedy high point of the show and enlarge the number of people who began to call me Tom Cruise including great numbers of people on the street. Yet in truth by my third visit, a couple of employees started to refer to me as Tom Cruise. I was also greeted one day as I walked down the main street in Kwekwe with Gary’s son to the local internet cafe by a perfect African stranger, someone that I had never seen before as… “Oh you are the Tom Cruise guy.”
So that is my 15 minutes of African fame being called “Tom Cruise” in a small city in the middle of Zimbabwe – Kwekwe. For a month, I was known as Tom Cruise of Kwekwe.
So I returned to San Diego for two more shows of Mi Casa Su Casa as part of the 5th Annual San Diego Fringe Festival with my partner and co-author, Silvie Jacobsen. This time we drove down instead, and came down a night early because I had a 2:30 PM show the next day, June 25th.
We chose the Quality Inn Downtown on 4th Street about 8 blocks from the theatre. The place while not horrible was pretty sketchy. The rooms were extremely tiny. The kitchenette was in the closet. The bathroom sink doubled as the kitchen sink with a garbage disposal in it. We found a bug in the bed the first night. Overall, the experience for the two nights there was disappointing.
The hotel did provide a very, very basic breakfast for $10 in the morning, and I passed on that for my own coffee in the room. We soon walked down to theatre for the 2:30 PM show. The Geoffrey Off Broadway theatre was more than half full so the energy was very high. While still struggling with the script a little, I had a wonderful show and received many great compliments on the material.
The theatre is located on 1st and Broadway which is very simple walking distance to San Diego Seaport, the Maritime Museum and the USS Midway Museum on the San Diego Harbor shoreline.
Starting at the Seaport, we walked North along the shoreline. The city has really developed this part of the harbor into a very friendly tourist area with walkways, small parks, and the museums and restaurants. First, you come upon the 25 foot statue of the “Kissing Statue” based on the famous Life Magazine photo of a sailor kissing a random girl in New York City in 1945 celebrating the end of World War II. The statue is officially called “Unconditional Surrender” and is located right next to the USS Midway Museum.
The USS Midway Museum is a maritime museum located in downtown San Diego, California at Navy Pier. The museum consists of the aircraft carrierMidway (CV-41). The ship houses an extensive collection of aircraft, many of which were built in Southern California.[1][2] The USS Midway was America’s longest-serving aircraft carrier of the 20th century, from 1945 to 1992 with approximately 200,000 sailors served aboard the carrier during that time. USS Midway opened as a museum on 7 June 2004. By 2012 annual visitation exceeded 1 million visitors and as of 2015 Midway is the most popular naval warship museum in the United States.[3]The Museum information for tickets and times and events is located here, www.midway.org/hours-tickets. (Wikipedia)
Further up, the boardwalk is the Maritime Museum of San Diego which preserves one of the largest collections of historic sea vessels in the United States. Located on the San Diego Bay, the centerpiece of the museum’s collection is the Star of India, an 1863 iron bark. The museum maintains the MacMullen Library and Research Archives aboard the 1898 ferryboat Berkeley. Other boats in the collection include a replica of the America, the first ship to win the America’s Cup Yacht race, the HMS Surprise, a full size operating Royal Navy frigate from 1800’s that has also appeared in the Pirates of the Caribbean series and the Master and Commander movie. The collection also includes two submarines: one US and one Russian, plus others. You can purchase tickets for the Museum at https://sdmaritime.org/tickets/. You can find times and prices and Museum activities there.
A really beautiful warm night stroll along the harbor and looking at tall ships and aircraft carriers.
The 3rd show the next day was a great success and back to LA. We return for 2 more shows on June 29th and July 1 plus a visit to Point Loma and the Cabrillo National Park.
On a visit to see my sister in the mountains of Western North Carolina not far from the city of Asheville, and the famous Vanderbilt home, Biltmore, lies the quaint mountain city of Hendersonville. On a beautiful spring day we drove over to the mountain village of Flat Rock, to see the home of Carl Sandburg, the Pulitzer Prize winning poet and writer. Connemara, the name of the farm, is run by the US National Park Service and houses the Carl Sandburg Home National Historic Site. Connemara consists of a 264-acre site including the Sandburg residence, the goat farm, sheds, rolling pastures, mountainside woods, 5 miles (8 km) of hiking trails on moderate to steep terrain, two small lakes, several ponds, flower and vegetable gardens, and an apple orchard.
Though a Midwesterner, Sandburg and his family moved to this home in 1945 for the peace and solitude required for his writing and the more than 30 acres of pastureland required for his wife, Lilian, to raise her champion dairy goats. Sandburg spent the last twenty-two years of his life on this farm and published more than a third of his works while he resided here. In 1951, he won his 3rd Pulitzer Prize for his book of poetry, Complete Poems.
It was Lilian Sandburg who found the farm, already named Connemara. She was searching for the ideal place, large enough for raising her prize-winning goats and sufficiently secluded for Sandburg’s writing. While a writer and poet herself, Lilian’s legacy was a prize-winning goat-herd. She became famous in her own right for her goats which she started raising in Michigan. She purchased her first goat in 1935 and began to research the benefits of goats milk. Seeking a better climate (as well as a place where Sandburg could write) she chose Western NC. She improved the herd and had a thriving milk and cheese business. She became well-known for her ability to genetically select and produce improved goats. (1)
Our guide that day, a volunteer for the Park Service told us that often people would stop by the farm to specifically see Lilian and had no idea who Mr. Sandburg was. Lilian would become a household name in the world of dairy goats.
The goats living at Connemara today are descendants of the very goats that Lilian Sandburg raised. There are three types of goats: the Toggenburgs , the Saanens , and the Nubians (who have long, floppy ears). They keep a revolving herd of 15 goats on the site selling off the older goats as new ones are born. Guests are allowed to visit the goats in the pasture and barn. It is very funny to watch the young goats play and run around with each other. Be advised though when the goats decide to let go with a bodily function, it can get really messy real fast. Customer beware!
A very pleasant day in Flat Rock. A little family, a little history, a little nature all in the beautiful Blue Ridge mountains. You can hike the trails at Carl Sandburg anytime without a fee or take the house tour for $10 adults or $6 for seniors. Check it out, it will be worth your time.
Plus literally across the highway from the Sandburg House, the Flat Rock Playhouse, a world-famous regional theatre offering plays, musicals and concerts in addition to workshops for children and students. If you like theatre or live performance, the Playhouse is well worth a visit as well.
(1) Lilian’s Goats, Blog Post, Mountain Musings, 2008.
“The greatness of a nation and its moral progress can be judged by the way its animals are treated.” ― Mahatma Gandhi
Matusadona National Park (MNP) once supported Africa’s second highest density of lions. The plentiful grasslands on the foreshore of Lake Kariba provided for swelling herds of buffalo and consequently the lions thrived. Yet, following fluctuations in lake levels and increases in poaching, the buffalo herds disappeared, quickly followed by the lions. The last census of lions in 2005 suggested just 28 individuals (down from nearly 90 individuals in 1998) remained on the valley floor and concerns have since been raised as to the populations long term viability.” An extract from the ALERT (African Lion & Environmental Research Trust) website.
The beauty in a lifetime is to live your passion and the reward in that passion is having a purpose : Rae Kokes embodies this. Her work as Principal Researcher on the Matusadona Lion Project sees her collaring, tracking and monitoring these magnificent creatures and her intimate knowledge of each pride member located within this vast national park is phenomenal. When she speaks of the lions her connectivity to them is almost palpable.
With the return of the buffalo and more plains game, the lions are growing in number with two new litters being recently sighted this month. There have also been sightings of lone male lions that are moving into the area which will add to the gene pool if breeding takes place.
A network has grown among the camps, lodges, MAPP (Matusadona Anti-Poaching Unit) and the National Parks Authority. All are collectively reporting the sightings of the lions, their spoor or recent kills to the centralised Matusadona Lion Project. The Project also aims to work on a community driven conservation strategy for all of the area’s wildlife and not just the lions.
The combined efforts of all involved are a definitive and positive step which works towards the understanding of lions, the impact of the changing environments they live in, both natural and human, and our ability to ensure that their existence is a given for the next generation to enjoy on an African safari.
There is an expression in Shona (Zimbabwe’s main local language) – tiri tose – meaning “we are together”. Witnessing the synergy, commitment and passion of all involved in the Matusadona Lion Project I believe that the lions of Matusadona National Park will have a tomorrow.
Written by Mel Mostert, Travel Consultant for Vayeni Escapes (https://www.facebook.com/melaniemanuel.mostert) (story used with the permission of Vayeni Escapes-info@vayeni.com)
On a wonderfully beautiful Los Angeles Sunday, my friend and I drove up the 110 and got off on Orange Grove Ave., and turned left toward Arlington Drive. We were going to visit and hopefully experience the calm and beauty of the Japanese Gardens.
HISTORY OF THE GARDENS
The property was originally owned by Charles and Ellamae Storrier Stearns, who were wealthy patrons of the arts and cultural heavyweights in the civic life of Pasadena. In 1935, they hired a famous Japanese landscape designer named Kinzuchi Fujii to construct a formal Japanese garden with a Tea House on their 2 acre lot. Now most formal Japanese gardens are rather small in square feet but a chance to create such a huge canvas for his work was something he could not pass up.
So starting in 1935 until 1942 when he was taken away to an interment camp for the Japanese during World War II, Fujii worked on the garden for the Stearns. During the 7 years of construction, the Stearns would invest more than 150,000 dollars into the project. First Fujii had to remove two tennis courts and dig out areas for the two koi ponds and waterfall. By moving tons of dirt around the lot, he was able to construct a hill area where there was none, two large ponds, and areas for the tea house and contemplation. The garden was so unusual that it became locally famous. It is the only example of a formal Japanese garden created before the war that still exists in Southern California. However, like the rest of Fujii’s gardens in the Los Angeles area which are all gone now, things did not look good for this garden site.
Ellamae died in 1949, and the mansion and property were put up for auction. Gamelia Haddad Poulsen, an art/antiques dealer, attended the auction for the Storrier Stearns estate. She was hoping only to buy two Louis XV chairs. However, when she realized that no one was bidding on the whole property, she impulsively made a bid. To her amazement she ended up as the owner of the entire estate. She sold off parts of the estate but kept the garden and an area to build a new home for her family.
In 1975, Caltrans used eminent domain to seize a strip of property on the easternmost side of the garden for use in building the extension of the 710 freeway. An easement was also taken, since expired, to create an access road for trucks to use during the future construction of the freeway. It would have sliced directly through the middle of the garden.
Believing that the garden was lost, Gamelia let it fall into disrepair and sold off some of the valuable artifacts. The final blow came when the teahouse burned down under mysterious circumstances in 1981. Gamelia died in 1985 at which time the garden ownership passed to her son and daughter-in-law, Jim and Connie Haddad.
The garden continued to languish until 1990, when the Haddad’s decided to restore the garden to its former glory. Progress was slow through 2005 until Dr. Takeo Uesugi, professor emeritus of landscape design at Cal-Poly Pomona and one of the leading experts on Japanese garden design in the United States, undertook the management of the garden restoration. To ensure the restoration was accurate, Dr. Uesugi followed Kinzuchi Fujii’s original plans, documents and photographs taken during its first construction.
On February 15, 2005, the restored garden was placed on the National Register of Historic Places and listed as a California Historical Landmark on the California Register of Historic places. Additionally, the garden was recently awarded a Historic Preservation Award, in a ceremony in the garden, by the City of Pasadena.
NOW
The Haddads still maintain the garden and it has become a culture center in Pasadena for meetings, weddings, events, and afternoon strolls. It now features an 11 foot high entrance, two large interconnected ponds, two water falls including a 12 foot high that falls into the larger pond, and a new tea house to replace the one that burned down in 1981.
The garden is open every Thursday from 10 AM to 4 PM. The fee is $10 for adults and $7.50 for children 12 and under. They feature different jazz musicians on the 2nd Sunday Jazz series (check the website – www.japanesegardenpasadena.com for the schedule) and they are also open the last Sunday of every month. During the 2nd and 4th Thursday, they offer a Japanese Tea Service where you learn the history and meaning of the traditional Tea service. See the website or call for reservations.
ADDED BONUS
Right across the street on Arlington is Pasadena’s Arlington Park. Such a beautiful well-maintained public park filled with old and mature California friendly plants which make up quiet and restful areas all through the park. Well worth the drive just to see this park for free. But the combination of Japanese culture and California plants, it a beautiful day not to miss.
Enjoy!!
(Much of the information in this article was taken from the Storrier Stearns website, www.japanesegardenpasadena.com.)
I was looking forward to driving up to Death Valley from LA during Easter weekend and catch a bit of the desert super bloom before it was all gone. I have lived in California for 30 years and had never been to Death Valley. I had passed the turnoff to it many times has I drove up to Mammoth on US 395 but I had never turned right on to California 190 to see where it goes. But this time I was.
So on Friday morning I got up early and packed. I ran a couple of errands and managed to get on the road by about 11 o’clock. I wasn’t pushing it too hard and drove up Interstate 5 to California 14 that goes through Palmdale and Lancaster across the high desert until it meets up with 395 at Bradys, California. Then about 25 miles later, the turnoff for California 190 appears on your right. It was about 3:30 PM and I stopped to get some gas before heading into the Valley. On 190 you drive about 15 miles and meet up with California 136 coming south from Lone Pine. The two highways merge and you follow 190 further in driving through gulleys and gulches between solid rock formations, and always the immense sky above you.
Just before you begin your descent into the Valley there is an observation point off to your left and from there you get how dramatic the drop is into Death Valley. I recommend that you stop here to see the amazing view because from that point you will drop about 4100 feet over a distance of 9 miles. You are leaving the high desert at 4000 feet above sea level and dropping down to 100 feet below sea level.
Now I have a fear of heights and California 190 is like most old state highways that go back to the thirties and forties. They are almost always narrow 2 lane roads built on the edge of a mountain or cliff with no guard rails. They wind back and forth, and snake around so much that you wonder sometimes how they’re were even built there in the first place. And if you are riding in the outside lane it is possible to look out and see nothing but a 2000 foot drop and no guard rail. For me that starts to trigger my panic attacks, but as long as I am moving forward I can pretty much keep it under control. Yet, that particular Friday, someone decided that it was time to do some road work on the highway and traffic was stopped in certain places and began to back up.
I was still in the first mile of the drop when I rounded a corner I saw that there were 8 to 10 cars being held by a guy with a stop sign. AND we were on the outside lane, AND there was no guard rail, AND you could clearly look over the side of the road and see the 2000 foot drop. A panic attack started to slowly come on but it built and built the longer we sat there. I could also see the rest of the highway below us and there appeared to be another couple of places that people were also stopped for road work. That is when I entered full panic mode. I pulled my car over into the lane that they were doing the repair work on. Some angry workmen came over yelling and screaming, demanding to know what was I doing. I was finally able to explained the situation and asked if they would let me use the inside lane to drive back up the hill and out of the Valley. They agreed so I quickly drove out of the Valley and stopped at the observation site to catch my breath.
I was out of the Valley but I had left a hotel reservation back there and it was non-refundable. It was 5:30 in the afternoon and the Sun is going down. I was at least two hours from Mammoth, and four hours from Reno and there was literally nothing to do where I was. Also I didn’t want to go back to Los Angeles so I decided that I would drive to Palm Springs about 3 hours away. So I headed south on 395 toward San Bernardino and the I-15. This part of 395 goes through some of the most desolate areas of California that I have ever seen. There is literally nothing out there. I did go through a couple of very small mining towns of Johannesburg and Red Mountain. As I drove through both towns I didn’t even see any people on the streets. The houses seemed like shacks and no businesses were open. It stayed like that until I got to I-15 at Victorville/Hesperia.
I took the 15 to the 215 through San Bernardino picking up the 10 East on its way out to Palm Springs. Driving into town about 9:30 PM, I decided I would treat myself and stay at a great hotel. and I pulled into the Hyatt Palm Springs only to find that it was the weekend for Coachella, the huge fashion-conscious rock festival held out in the Coachella Valley area every April. According to the receptionist every hotel in a 100 miles was full that night.
Frustrated I checked another hotel and got the same answer. Then I drove up to Desert Hot Springs, a favorite area of mine because of the hot mineral baths that are natural to the area. I checked with three middle of the road hotels and every thing was gone, and even if it wasn’t, the rooms were going for 400 dollars each because of the demand of that weekend. Defeated I went to a bar called Playoffs had a beer, got a burger at Jack in the Box, and drove home at around mid-night. I got back to LA around 1:30 AM making wonderful time coming back because no one was on the highway.
So I had a road trip. I drove a lot of places. I saw a lot of stuff but I didn’t actually end up going anywhere except back home.
On a cold wet rainy Super Bowl 2017 weekend, I decided to get out of Los Angeles and head north. I usually stop off in Ventura – the old town part – because of a favorite hotel, a couple of good restaurants and the thrift and furniture stores. But this time I decided to keep going north to Santa Barbara.
I’ve been going to Santa Barbara since the early 1980s. First time I went to Santa Barbara there was still a stoplight on the 101 freeway at State Street. If you were headed north and you turned right on to State Street it took you into town, the cultural and economic center of Santa Barbara. If you turned left and headed towards the beach you passed a couple of hotels, the train station, a couple of beach bars and made it to Cabrillo Street. Right in front of you was famous Sterns Wharf and the long open park which runs along the beach famous for the weekend art and crafts market. All the famous restaurants that are there now were there than as well including the first Sambo’s and the Santa Barbara Fishhouse.
And as you went down State towards the beach off to your left was an old run down warehouse district full of old buildings and tiny houses that hadn’t been torn down when the neighborhood changed from residential to commercial. This part of town was full of contractors, sail makers, and boat yards. The business that worked on the boats that came into the marina and back out again. It was very industrial and pretty run down.
Now Santa Barbara has been going through some amazing changes in the last 40 years but I really had not stopped in Santa Barbara for any more than a couple of hours in the last 10 years. I’ve always been going farther north to Pismo Beach, San Luis Obispo, or even further north. I had not stopped for more than lunch, but now I was going there for the entire rainy Super Bowl weekend.
I checked into the Avania Inn, a nice place about two blocks from the beach that I found on the Trivago for a good price. I unpacked, walked around on the beach for bit, and went back to the room. After a quick shower, I went out for dinner at the Enterprise Fish Company on State Street. It is not the greatest restaurant in the world but their fish is always fresh and their wine list it pretty decent. Plus it’s always a very popular place to go meet and talk with people specially while seating at the bar. After that I started walking around the area and I stumbled on to the Santa Barbara Urban Wine Trail. Now the full Urban Wine Trail extends to all parts of Santa Barbara and I have placed a link to a map of the tour here. http://urbanwinetrailsb.com/the-trail-map/
Yet, I wanted to focus on the 20+ wines and tasting rooms featuring Santa Barbara area wines you can find in a four block radius in an area between the 101 and the Beach, and State Street and Garden Street. Plus among those tasting rooms you can also find at least three or four craft beer breweries, and some excellent eateries including Loquita, an upscale Tapas bar that is outstanding.
Now if you’re into wine tasting, you’ve probably been up Napa Valley or down to Temecula. And at these wonderful areas, if you want to go to a lot of wineries you usually end up being part of a wine tasting tour, or you rent a limo,or you have a designated driver because if you have been sampling wines at more than three or four wineries, you should not be driving California highways. Yet, if you’re into the Santa Ynez wines, the wonderful thing is you can sample a wine at one tasting room, walk out the front door and go down three doors and find another tasting room. Some are owned by an individual winery and others are tasting rooms that feature wines that are presented by a collective of wine makers. These collectives feature a person working behind the counter who doesn’t favor one wine or over the other, and you can taste up to four to five different wineries at one time.
You will find 14 wineries or collectives featuring San Ynez area wines in this former industrial area. Here they are: Area 5.1 Winery, Babcock Winery, Ca’del Grevino, Cottonwood Canyon Winery, DV8 Cellars, Fox Wines, Kunin Wines, Laford Winery, Municipal Winemakers, Oreana Winery, Pali Wine Company, Riverbench Santa Barbara, Santa Barbara Winery, and The Valley Project.
Also in the same area, you will find Figueroa Mountain Brewing Company, Brass Bear Brewing and Bistro, Corks and Crowns, and Lama Dog Tap Room for the hops connoisseurs. Plus eateries like the Lark, Lucky Penny, 7 Bar and Kitchen and Helena Street Bakery.
Go have a wonderful time – eating and drinking while walking!!
Sources used for some parts of this story are – Wikipedia, Hollywood Babylon, LA Weekly, Daily Mail, Scott Simon, The Guardian.
After opening in 1924, the Culver Hotel soon gained a reputation as an excellent hotel for visitors to the Culver City area and MGM Studios. In 1939, it would gain an even more notoriety for housing all 125 of the “little people” who played the Munchkins in The Wizard of Oz.
The Wizard of Oz was then the last word in 1939 special effects, make-up, set design and costumes, not to mention the highpoint of Judy Garland’s career. The 17-year-old child star plays the little Kansas girl Dorothy, who with her dog, Toto, is whisked away by a tornado to a fantasy land where she follows the Yellow Brick Road, kills the Wicked Witch and meets the powerful Wizard. And every step of the way, she is followed by “the Munchkins” as she goes on her adventures over the rainbow, meeting the Tin Man, the Scarecrow and the Cowardly Lion in the Kingdom of OZ.
The film called for as many as 350 “Munchkins” to be cast. In L. Frank Baum’s 1900 novel The Wonderful Wizard Of Oz, he described the Munchkins only as shorter than usual in stature and clad from top to toe in blue. The studio did not want to use children for the parts, and could not find enough small adults in the Hollywood area. MGM decided to use real dwarves, or “little people” as they were called in the 30’s to play the Munchkins. In fact, all the Munchkins were played by genuine circusmidgets, whose colorful contribution to Hollywood history has never been forgotten. In its search, MGM advertised all over the country, auditioned tiny choirs – the midgets had to sing – visited circuses and sent out talent scouts.
The task of assembling as many as 350 ‘little people’ to act in the movie fell to a man named Leo Singer. Born in Germany as Baron Leopold Van Singer, he had put together a troupe of touring midgets who took part in vaudeville shows all over Europe. By 1938, he had gathered a stable of 100 tiny performers and was based in America. MGM drew up a contract with him to provide as many midgets as were needed to film. As soon as word got out, seemingly every little person in the country arrived in Hollywood by bus and train looking for a part. Singer was put in charge of them all – looking after their lodging, food and attendance on set.
Of course, managing the midgets was never easy. Many did not speak English and sang in thick German accents. Some of those who knew most about performing were from Germany, but had been forced to flee the country by the Nazis’ doctrine of ‘social hygiene’, which demanded the elimination of handicapped people. About 170 came from New York and had very little professional experience of show business. Some had never been away from home before and were keener to let their hair down than work. Their only qualification was their height – in some cases they stood no taller than three feet.
These little actors might have been vertically challenged, but they were exceedingly tough. Most were old enough to have learned how to survive in New York or in Europe during the years of the Great Depression. And when they arrived in Hollywood in 1938, to be cast in one of the most prestigious films ever, it marked a distinct improvement in their fortunes.
Los Angeles was in the midst of its gilded heyday. Stars such as Jean Harlow and Katharine Hepburn had a huge following, while the love lives of the swashbuckling Errol Flynn and Charlie Chaplin were already legendary. This was the height of Hollywood as Babylon. Sex and glamour was the name of the game and the “little people” wanted their fair share. Naturally, as soon as they had money in their pockets, their behavior did not improve.
For although their antics on screen brought joy to generations of children, behind the scenes they astounded everyone with shocking episodes of drunkenness, depravity and wild sexual propositions from which no one was safe. Wild stories began to emerge. There were rumors of wild evenings with rooms ransacked and drunken midgets swinging from the rafters. One horrified observer described them as “an unholy assembly of pimps, hookers and gamblers”.
A rather unimaginative 1981 movie, Under the Rainbow, starring Chevy Chase and Carrie Fisher, attempted to bring the legend to life — and failed. That hasn’t stopped Wizard of Oz fans from smiling at the thought of a hotel overrun with members of the Lollipop Guild. (LA Weekly)
“You had to watch them all the time,” observed Jack Dawn, the make-up artist on the film. Because they were so small, it was easy for other members of the cast to make the mistake of treating them like children. Predictably, their reaction was to do everything they could to disabuse their colleagues of this notion.
“They were adults,” recalled Jack Dawn firmly. “They did not like us touching them or lifting them into their make-up chairs. They insisted on climbing up by themselves.” If the film-makers thought full-sized stars had attitude, they had seen nothing yet.
The final count of people needed for Munchkin parts settled at about 125. Singer made a deal with the Culver Hotel to house the “little people”. They began to arrive in November of 1938. The hotel found that they could place three to a bed because they were so small. They could put them sideways and almost get them all here.
It turned out to be one of the biggest collections of little people to date at that point. Julie Lugo Cerra, who’s the honorary historian of Culver City, recalls, “Many of them, like Jerry Maren, who eventually settled in Los Angeles, who was a Lollipop Kid, had never seen another little person in his life before. They came to Culver City, and they thought it was wonderful to see so many other little people. Most of them had lived in areas where they were the only ones, so they were the exception. They were not very well accepted by society, and so it was wonderful to be with their own.”
Certainly, the normal urges of many of the assembled midgets emerged during the shooting of The Wizard Of Oz. We have to remember these were adult men and women, and they became bored after hours cooped up in their hotel. So often, they drowned their sorrows.
“They were drunks,” Judy Garland would recall later. “They got smashed every night, and the police used to scoop them up in butterfly nets.”
Cast members were astounded to hear they were holding ‘dwarf sex parties’ in the famous Culver Hotel. “They got into sex orgies at the hotel and we had to have police on every floor,” producer Mervyn Le Roy remembered afterwards.
Meanwhile, Bert Lahr, who played the Cowardly Lion, noted that “assistants were ordered to watch the midgets who brandished knives and conceived passions for normal-sized members of the cast”.
There were stories that the “little” women would proposition studio electricians, while one who called himself The Count was never sober. “Once, when he was due on set, he went missing. Then we heard a whining sound coming from the men’s room. He had got plastered during lunch, fallen in the toilet bowl and could not get out.”
Certainly, some of them seem to have resorted to boosting their earnings by pimping and whoring – and indeed begging. As many pointed out later, they were being paid far less than anyone else on the film – including Toto the dog. Many of them had vile tempers, too, so much so that one even tried to kill his wife.
Yet, Julie Lugo Cerra is not so sure that the rock star/Roman orgy scene is the true image. “No, I don’t think they trashed the hotel rooms. They were having a very good time and they celebrated a lot. They worked very hard,” she maintains.
She recalled one story about her father who owned a radio store at the time in Culver City. “He said they were all over the place. And they would pile them into cars, and they would be even under the dashboards because you could get so many in. So it – I’m sure it was a hysterical scene, I’m sure that they had a very good time, and I’m sure that most of them remembered it for the rest of their lives.”
“They got their star in the Hollywood Walk of Fame recently. And they love coming back to Culver City,” points out Ms. Lugo Cerra. “They were here in the ’90s for a reunion – they do this every once in a while. And there’s probably nobody who doesn’t know about the Munchkins, and there’s probably no one who doesn’t love them.”
You are ready for a night on the town, but you would like an upscale place so you can dress up like a real adult. A place with no cover, live jazz, great drinks, friendly bartenders and elegant, historical architecture, does such a place exist anymore? Yes, Virginia, it does. It’s the Lobby Bar at the Culver Hotel.
Music playing is an integral part of the Culver Hotel experience. As the evening begins, the hotel’s Grand Lobby transforms into jazzy supper club. Vintage armchairs, classic movie projections and up-and-coming artists help create an ambiance of old Hollywood and modern times helped along with handcrafted cocktails, tasty fare and musical pleasure. You can order a ‘Good Witch’ or a ‘Cucumber Mule’ cocktail while you sit back and enjoy different interpretations of Jazz, every evening of the week after 7:30 pm. Shared appetizers or a three course dinner are just an order away. (Culver Hotel)
Alternatively, If you are in the mood for something equally “Culver-esque” but with a more contemporary playlist, go past the lobby and up the stairs. You will find the Velvet Lounge reminiscent of a 1920’s ‘Speakeasy’ with a twist of Parisian boudoir. Chic and eclectic, dark and whimsical, The Velvet Lounge is open Thursday through Saturday after 8pm and offers plenty of secluded corners to enjoy a cocktail, wine or bottle service. (Culver Hotel)
TripAdvisor.com calls the Culver Hotel the # 1 Hotel in Culver City. The Lobby Bar is a popular place where 30 somethings and older like to hang out because of the atmosphere and the drinks. The price range for food is between $11 ane $30 per person. I would judge the food good, but not great. They do take reservations and have take-out available but do not do delivery. They accepts all major Credit Cards, and while the dress cord is casual, the ambiance is classy. There also is a wonderful outdoor patio which also features the full dinner menu and drinks. Valet parking is right outside, while there are city parking garages within a short walking distance.
HISTORY
The Culver Hotel is a national historical landmark in downtown Culver City, California. It was built by Harry Culver, the founder of Culver City, and opened on September 4, 1924, with local headlines announcing: “City packed with visitors for opening of Culver skyscraper.” Originally named Hotel Hunt, and later known as Culver City Hotel, the six-story Renaissance Revival building was designed by Curlett & Beelman, the architecture firm behind renowned Art Deco buildings throughout Los Angeles, including downtown Los Angeles’ Roosevelt and Eastern Columbia buildings. (Wikipedia)
But the hotel is most famous for its long and tangled history with Hollywood and its stars. Built in 1924, the property has also housed countless Hollywood legends over its 90-year history. And Greta Garbo, Mickey Rooney, Ronald Reagan, Judy Garland, and Clark Gable are just a few stars who actually maintained part-time residences at The Culver Hotel. Charlie Chaplin was even the owner for a while until, legend has it, he lost the property in a poker game to John Wayne. Dwight D. Eisenhower even had a campaign office in the hotel during his run for President in 1952. Modern celebrities who have stayed there include all 4 members of the boy band 98 Degrees, Abby Lee Miller of Dance Moms, Countess Luann de Lesseps from Real Housewives of New York City. (Wikipedia)
The Culver Hotel may not be an A-list actor herself, but she has appeared in the background of close to 80 projects. The historic hotel has been used in The Wonder Years, Cougar Town, The Last Action Hero, Marvels Agent of S.H.I.E.L.D., and many more. Numerous television shows, movies or commercials shoot in and around Culver City, and the hotel’s exterior and interior have stood in as a street in London, an apartment in Barcelona, and a café in Paris. (Travel and Leisure)
During the 1960’s, the hotel began to decline and fall into disrepair. In the 1980s, it was boarded up for a time and at risk of demolition. In the 1990s, the hotel was partially restored and reopened, joining the National Register of Historic Places in 1997, but the Culver Hotel’s modern comeback truly began after a hotelier family bought the ailing property in 2007. Since 2007, the hotel’s entire plumbing and electrical systems have been upgraded, each of the guest rooms and public spaces have been redone, all 140 handmade windows in the guest rooms have been replaced, and the public spaces have been entirely re-imagined all the while maintaining the property’s architectural integrity. The flatiron-shaped building is next door to the historic Culver Studios and a few blocks from the former Metro Goldwyn Mayer Studios (MGM), now Sony Pictures.
Casts from movies like Gone with the Wind and The Wizard of Oz stayed at the hotel during filming, including the more than 100 actors and actresses who played the Munchkins in the Oz film. (wikipedia) Which will lead to another column about the Culver and its notorious place in Hollywood history which earned it the nickname, the “Munchkin Hotel”.
Culver Hotel is a must see for Hollywood History, and a great nightspot in Los Angeles!
You must be logged in to post a comment.